This mural spent the winter being re-painted in my studio in the South End of Boston and now it has been re-installed in its proper place at 237 Hampshire Street, Cambridge, MA. Thank you to George Hagerty and Justin Bothwell of US Art for their hard work moving the mural and getting it back up on the building.
This project was directed by Rika Smith McNally, the director of the art conservation program at the Cambridge Arts Council. I am grateful for her energy and guidance about using the proper materials for an exterior mural. It even has UV protection now, so no sunburns!
Please join me for a party on Wednesday June 24, 2015 to celebrate and rededicate the mural. We will convene right under the mural from 5 to 7 for some live jazz by saxophonist Charlie Kohlhase, food from the East Coast Grill, and good company!
The restoration of the mural, The Bluefish is Good Tonight, is going really well. With the help of a bunch of wonderful assistants it is moving along quickly. As soon as it stops snowing the painting will be put back up at 237 Hampshire Street in Inman Square where it belongs!
It was interesting to re-work a project that I did so many years ago. My color sense has changed, and I think the new color choices will be easier to read from a distance. I had more confidence painting it this time, which made it a lot of fun. I removed a few details and worked with bolder shapes this time around.
I am very grateful to Rika Smith McNally, the director of the art conservation program at the Cambridge Arts Council, for her energy and guidance on this project. She assures me that the painting will be looking good for several more decades!
In 1987, with funding from the Cambridge Arts Council, I was asked to paint a mural for a building in Inman Square, Cambridge. The painting was called “The Bluefish is Good Tonight”, as an homage to the original Legal Seafood restaurant that once stood on this site. The imagery also contained references to the vibrant jazz scene in the area.
It had faded badly over the years and I was ready to have the mural taken down since it had been on display for almost thirty years. It turned out that it wasn’t so easy to remove the painting because the neighbors had grown attached to it and they still liked it, even though all of the reds and purples and much of the imagery had disappeared. I was pleased to know that it was so well-loved, and I started to hope that a plan could be made to save the mural.
Rika Smith McNally, the director of the art conservation program at the Cambridge Arts Council, was determined to find a way to re-paint the mural, and she made it happen last week! Before I could say “What is that huge thing in my studio?”, Rika and a team from USArt, George Hagerty and Alfred Zuniga, had moved the five panels to my studio.
I am planning to re-paint all of the background colors, and then with the help of assistants Jill Curtis, Rachel Newsam and Regina Gaudette, we will trace the shapes and patterns back in place and repaint them. On Rika’s recommendation we are using Golden 100% acrylic emulsion colors which are rated for excellent lightfastness.
I spent the winter of 2013 keeping warm by painting three large oil on wood paintings. These pieces were commissioned for the lobby of a hospital. I was encouraged to include a few more animals than usual, hence the squirrel.
The painting above is entitled Long and Lovely. I used Ronan lettering enamel, and most areas have two or three coats of paint. Then I applied many, many dots to enliven the surfaces and make subtle adjustments to the color relationships.